In The Chicago Tribune Nr. 5 wird auf S. 19 (= S. 5 des 2. Teils) ausführlich über einen Aufsatz referiert, in dem auch Bruckner erwähnt wird [am äußersten linken Rand schwer lesbar]:

"Chicago Grows as Concert Center; Leading Orchestras to Come

SIGNIFICANT of Chicago's strategic importance in the musical development of the country is the increasing frequency with which our music lovers are invited to hear the orchestras of other cities [... Vorschau ... über die Abhängigkeit der Komponisten von Dirigenten und Interpreten ...].

     This power of personality, as manifested [by?] the leading orchestral conductors of Germany, has been analyzed with typical Teutonic thoroughness by Dr. Wilhelm Kleefeld in a recent issue of the Berlin Monatshefte. [... zitiert Äußerungen von Arthur Nikisch ...]. These latter are especially attractive to the layman, and may re[pe]ated here.

     "One must understand the members of the orchestra," he writes. [... über den Umgang mit den Musikern bei der Probe ... Sonderstellung von Oboe und Fagott ... individuelle Unterschiede bei den Instrumentengruppen ... Kleefeld kann nicht alle Geheimnisse klären ... Persönlichkeit des Dirigenten entscheidend ... über Weingartner, Richard Strauss, Karl Muck, Fritz Steinbach ...]; Nikisch, whom we are soon to hear, is [cr?]edited as the last authority for Tschaikowsky, Bruckner and the impressionists; [Str]auss is praised for his reading of the later Beethoven symphonies and his own works; [... Leo Blech ... Spezialisierungstendenzen ... nicht bei Toscanini und Campanini ...]. But it is well to remember that the enormous musical activity of the German capital stimulates and even necessitates the development of the specialist, while our relatively limited resources–the numerical aspects at least–develop versatility.

    Detailed reports [... über andere Künstler ... Abbildungen von Josef Hofmann und Leopold Stokowski ... etc. (u. a. "Glenn Dillard Gunn, pianist") ...]."