Ein Artikel "GRAMAPHONE MUSIC    "Unfamiliar" Works", signiert "N. C.", in The Manchester Guardian Nr. 26323 auf S. 7 stellt fest, dass Grammophongesellschaften nicht so ängstlich wie manche Konzertveranstalter sind.

"[...] Why do the gramophone companies take risks with modern composers if they are not certain there is a public for works written later than Bruckner's "Romantic" Symphony? [... über Experimentelles auch in der alten Musik ... neue Aufnahmen, darunter auch Beethoven ...]. The "Great Fugue" remains an enigma–not because it is musically unintelligible (Anton von Webern probably sings his children–if he has any–to sleep with it), but because of [...]."