Über die Berliner Konzerte mit der 7. Symphonie und dem »Te deum« berichten die französischen Zeitschriften
»Monde artiste«,
»Ménestrel«
und »Guide musical« (dort signiert »E. B.«) (*)
[oder schon früher? Abfahrt von Berlin am 16.1.1894?]
Bruckner trifft in Wien ein (**).
Bruckner wird in einem Artikel der St. Louis Post-Dispatch Nr. 167 auf S. 30 erwähnt:
" CHURCH MUSIC.
A GENERAL REFORM EXPECTED TO FOLLOW POPE LEO'S ENCYCLICAL.
[... Kontroverse ...]. There was a time when the greatest composers labored solely under the religious inspiration and performed their mightiest achievements in the musical settings to the Roman ritual, but to-day there is hardly an eminent composer, with the possible exception of Rheinberger or Bruckner, who dedicates his efforts to the service of his church. The decadence is regrettable [...].
[... über die Situation in Europa und Amerika, Hintergründe, Gregorianik ...]." [keine Signatur]. (***).
" CHURCH MUSIC.
A GENERAL REFORM EXPECTED TO FOLLOW POPE LEO'S ENCYCLICAL.
[... Kontroverse ...]. There was a time when the greatest composers labored solely under the religious inspiration and performed their mightiest achievements in the musical settings to the Roman ritual, but to-day there is hardly an eminent composer, with the possible exception of Rheinberger or Bruckner, who dedicates his efforts to the service of his church. The decadence is regrettable [...].
[... über die Situation in Europa und Amerika, Hintergründe, Gregorianik ...]." [keine Signatur]. (***).
(In Wien 3. Gesellschaftskonzert unter Gericke mit »Fausts Verdammung«von Berlioz (°)).
Zitierhinweis:
Franz Scheder, Anton Bruckner Chronologie Datenbank, Eintrag Nr.: 189401215, URL: www.bruckner-online.at/ABCD-189401215letzte Änderung: Sep 01, 2024, 6:06